Showing posts with label Behind the Scenes. Show all posts
Showing posts with label Behind the Scenes. Show all posts

Saturday, November 19, 2011

Behind the Scenes/ The Workshop

Photography: Marcus Hay


Photography: Marcus Hay

Photography: Marcus Hay

Photography: Marcus Hay

Photography: Marcus Hay

Photography: Marcus Hay

Photography: Marcus Hay

Photography: Marcus Hay

Photography: Marcus Hay

Photography: Marcus Hay

Photography: Marcus Hay
There is just something I love about workshops, in an ideal world I would love to have one, but living in Manhattan with an apartment and 2 storage units already, I might be pushing the limits. Workshops are where great things happen though; I often think it is the things that perhaps get overlooked in workshops that are the most fascinating. It’s the element of surprise, the way the paint can left its messy rings, the testing of colors on a random swatch. It could be the stacking of painted planks of wood, the outlines left over from painting blue tiles. Stencils, rulers, tools, old ladders, these are all such fascinating things for me, I never tire of them.

I am in and out of workshops a lot with the overseeing of sets, working with set builders is a great process even though sometimes I still do feel like we speak a different language at times, Being an Art Director or a Stylist means your language by nature I think can come across as a bit flowery, Most set builders talk in measurements and as the expression goes in “nuts and bolts” A great set builder can be multi lingual or as time goes on a Stylist or Art Director gets to know the terms needed to get the job done.

It’s probably why I am the one wandering around workshops with my camera taking photo’s of what most would consider just messes and finding the beauty there, You can make the old “Jackson Pollack” analogy and get caught up in just the drips, splotches and strokes, but really there is way more to look at then just that. As most would see from my current website I have a fascination with pegboard. I love its simple approach to organization; nothing is greater than a wall of organized tools of the trade (or if you were Julia Childs, organized pots and pans) on pegboard. I love vintage hardware; it reminds me of my Grandfathers mechanics workshop that I was fascinated with as a kid, brushes are such beautiful things to me also and vessels for such creativity.    

These images have been collected over the last couple of years, A collection of many that inspire me, I hope you enjoy my tour of the workshop and catch a glimpse of a behind the scenes world you don’t often see, It is the place of reality, where amazing things happen to help create the end result, I feel privileged to be witness of it and work with many set builders who bring so much to table.  

Sunday, January 17, 2010

Behind the scenes, Food and Wine Feb cover






Often I will get asked to do a cover try, sometimes it is a series of cover tries that can be done throughout the duration of a day, This can mean creating different approaches to the same subject matter and sometimes totally different options all together. It is an interesting process and one that only really became familiar to me when I moved to the U.S.

In Australia we often shot something on a shoot if we thought it would look good as a cover but more often than not, a suitable image is chosen from the array of images available from that particular issue being shot that sings as a cover from rest. In the U.S, that chance is not really taken that often, some magazines do work like this and but most will devote a day or two even to get the image they feel is right, This can be based on a whole lot of things, Market research, focus groups or simply what the Editor or higher management like the best. Some argue that it means the image is more labored, not as fresh and spontaneous, but I feel, whatever works for the magazine, The sales on a cover in the U.S magazines cover can make or break it, so there is more riding on getting the perfect formula working for that product than elsewhere, the culture is also different.

For this Food and Wine cover, we actually tacked it onto the end of another shoot, I knew well in advance though so I was able to collect many options for propping and I treated it like a totally separate shoot. I knew we had to shoot chili in a bowl, For non American readers, Chili is a bowl of Chili Con Carne, which literally means "chili with meat" It is a spicy stew that has a long history in the States, Chili Con Carne is the official dish of the U.S state, Texas. It was first introduced in the 1600's and it's exact origins are a bit of a mystery, but seems to be a variation of a Spanish or Mexican dish.

I set up various options that you can see from the behind the scenes shots, My main brief was to use unexpected combinations of color, so I mixed various clashes of color on purpose, treating the palette in almost a painterly way. It is a February issue so in the U.S, It is still Winter, so it had to be evocative of the season as Chili is the perfect dish for this time of the year.

Tuesday, January 12, 2010

Behind the scenes, Beer and Asian






This post is quite exciting for me, It is the first time I can really bring you a "Behind the scenes" post of a commercial shoot. As most of you would know, magazines are produced at least 3 months ahead so as I started this blog only about 3 months ago, I had to wait until the magazine came out before I could publish these shots. Obviously the Magazine does not want the world to see what is in production before it comes out, that would be a real spoiler and land me in all sorts of trouble to boot!

In these shots I have illustrated the world of the Prop Stylist behind the scenes of a Photo Shoot, Folding tables are our friends as they help us edit through and display all that we need to see just to the side of the set. Jeanne Lurvey, my wonderful assistant on many Food and Wine shoots is seen here sorting through the various props. You can also see a stack of backgrounds waiting in the wings for their possible moment in the light, I like to have these displayed to really reinforce the color palette in evrybodies eyes. You can see a collection of blue and white plates also edited into their own category, ready to be considered for the right recipe.I also like to stage my combinations so the Photographer and Art Director can clearly see what I have in mind for the next shot. Lastly in these shots you can also see the treatment used as the background to many of the shots, the pinned up photocopies of a well known willow pattern from a Chinese platter, I think this is a great idea for a wall treatment even at home, note to oneself!

Hope you enjoy seeing a glimpse into my world, Look for future posts of this kind to come with future projects!